Difference between revisions of "Photo Gallery"
Daniel Leech (talk | contribs) |
Daniel Leech (talk | contribs) |
||
Line 354: | Line 354: | ||
Image:Abartigkeit_symbol.jpg|The perversity symbol. Similar to the Union Jack, or Union Flag, the national flag of the United Kingdom. It is not some rebellion or something by Billy, it just so happens to unfortunately resemble the arrangement used in flag. | Image:Abartigkeit_symbol.jpg|The perversity symbol. Similar to the Union Jack, or Union Flag, the national flag of the United Kingdom. It is not some rebellion or something by Billy, it just so happens to unfortunately resemble the arrangement used in flag. | ||
Image:Ablehnung_symbol.jpg|The rejection symbol. Associated with repulsion. [[Beamship]]s work in a similar way by repulsing, pushing and pulling matter, for flight control purposes. | Image:Ablehnung_symbol.jpg|The rejection symbol. Associated with repulsion. [[Beamship]]s work in a similar way by repulsing, pushing and pulling matter, for flight control purposes. | ||
− | Image:AbscheuEkel_symbol.jpg|The revulsion/disgust symbol. Similar but not the same as the rejection symbol | + | Image:AbscheuEkel_symbol.jpg|The revulsion/disgust symbol. Similar but not the same as the rejection symbol. |
Image:AbsolutesAbsolutum_symbol.jpg|The Absolute Absolutum symbol. | Image:AbsolutesAbsolutum_symbol.jpg|The Absolute Absolutum symbol. | ||
Image:Ur-Absolutum_symbol.jpg|The Primal Absolutum symbol. | Image:Ur-Absolutum_symbol.jpg|The Primal Absolutum symbol. |
Revision as of 11:32, 25 February 2018
Please see Special:NewFiles or Special:ListFiles to view all uploaded files. There is also an Art Gallery.
Introduction
<img border="0" src="" alt="Photobuch" width="120" height="174" style="float:right"> <img border="0" src="" alt="Photo-Inventarium" width="120" height="174" style="float:right">
- Photo-Inventarium / Photo-Inventarium
Photographs by Billy Eduard Albert Meier and a selection of his witnesses from 17th May 1964 to 5th February 2004. With an explanation as to why BEAM is the proclaimer of the modern times, contact person to the Plejaren Federation, why he was supposed to take the best photos of the out of this world beamships and the reason they come to Earth.
Source Sample - Photobuch / Photobook
Linen cover with silver embossing, 4 coloured print, thread-bound, 122 pages, 95 photos (including 29 large format colour photos), size: 230mm x 297mm.
Source Sample
The extraterrestrial human beings that Billy Meier is in contact with have encouraged and helped him to take over a thousand photographs and film recordings of their many different types of spaceships and beamships. The more famous photos were taken in the 70’s and early 80’s, one of which ended up being used for the original X-Files "I Want To Believe" TV Poster in the 90's, allowed in order to demonstrate how fiction is a more popular interest than non-fiction. The lesser known non-famous images by BEAM and those by other photographers at higher resolutions span a time-frame, when the images from India are considered, from 17th May 1964 to 5th February 2004 and others even to the present day, when vessels from the wider Plejaren Federation are considered (however it all began much earlier in 1937). The collection includes other interesting things including archaeological discoveries. Its all already heavily steeped in heritage despite first being documented properly in just the second half of the 20th century.
Gallery
Asket's beamship of the DAL-Universe visible in the sky above the Ashoka Ashram. Mehrauli-New Dehli (India) Ashoka Ashram Gurgoan-Road, 3 July 1964.
Asket's beamship of the DAL-Universe visible in the sky above the Ashoka Ashram. Mehrauli-New Dehli (India) Ashoka Ashram Gurgoan-Road, 3 July 1964.
Close-up of Asket's ship, 3 July 1964.
Asket's beamship of the DAL-Universe visible in the sky above the Ashoka Ashram. Mehrauli-New Dehli (India) Ashoka Ashram Gurgoan-Road, 3 July 1964. (Video still from the feature-length documentary "The Silent Revolution of Truth")
Asket's ship in Mehrauli, India, 3 July 1964.
Close-up of Asket's ship, 3 July 1964.
Asket's ship in Mehrauli, India, 3 July 1964.
One of the photos of Semjase's ship flying away after Meier's first contact with her in the Frecht Nature Preserve, just outside Hinwil, right after Contact Report 1 took place on 28 January 1975.
One of the photos of Semjase's ship flying away after Meier's first contact with her in the Frecht Nature Preserve, just outside Hinwil, right after Contact Report 1 took place on 28 January 1975. Source: [1]
One of the photos of Semjase's ship flying away after Meier's first contact with her in the Frecht Nature Preserve, just outside Hinwil, right after Contact Report 1 took place on 28 January 1975. Source: [2]
The best photo from the first roll of film taken by Meier of Semjase's beamship right after Contact Report 1 took place on 28 January 1975.
Demonstration of four Plejaren ships—two explorer class beamships and two smaller reconnaisance ships at Jocobsberg-Allensberg, Switzerland, 27 February 1975. Source: [3]
Demonstration of four Plejaren ships—two explorer class beamships and two smaller reconnaisance ships at Jocobsberg-Allensberg, Switzerland, 27 February 1975. Source: [4]
Demonstration flight of a ship and reconnaissance probe, 3 March 1975. Also see an artist's sketch of this photo here
One of the photos taken on 20 April 1975 at 10:00 am that survived Semjase's attempt to destroy the negatives thereof. Later that day, the 12th Contact with Semjase took place, at 3:11 pm (See Contact Report 12). (From Guido Moosbrugger's book "And still they fly!")
Demonstration flight by Semjase in her ship at Berg-Rumlikon, 14 June 1975. (Source)
Two beamships side by side, photographed from inside a third beamship during the 27th Contact (see Contact Report 27) over Berg-Rumlikon. The surroundings of Rumlikon are clearly visible in the background. Berg-Rumlikon, 25 June 1975.
Two beamships side by side, photographed from inside a third beamship during the 27th Contact (see Contact Report 27) over Berg-Rumlikon, 25 June 1975. They were departing for what ended up being a 2 hour 34 minute trip to the planets Mars, Jupiter and Saturn, around the last one and back again to Earth, where they also passed through part of the asteroid belt.
Two beamships side by side, photographed from inside a third beamship during the 27th Contact (see Contact Report 27) over Berg-Rumlikon, 25 June 1975. (Video still from the feature-length documentary "The Silent Revolution of Truth" during a cross-fade between the two previous photos)
Four of Meier’s photos from 9 July 1975 (Nos. 65, 119, 57, 71) superimposed on the 2001 background panorama. Courtesy of J. Jansen. (Thanks to Professor Jim Deardorff [5])
This Photographs shows the two moons Prehistoric Earth had, both are now gone. The moon we have today is another one. This photo was taken by Billy during his Great Journey (see Contact Report 31).
Now you can see the truth with your own eyes. This photo was taken by Billy during his Great Journey (see Contact Report 31).
An insect-like plant. This photo was taken by Billy during his Great Journey (see Contact Report 31).
Edge of a beamship. This photo was taken by Billy during his Great Journey (see Contact Report 31).
Bachtelhörnli, 8th March 1976. Source: [6]
Hasenböl, 29 March 1976. (High resolution) Also see an artist's sketch of this photo here
This picture shows the "bar of intense light with a glittering rain of fire falling down," which Guido Moosbrugger photographed on 13 June 1976. (Source)
Photo by Hans Schutzbach on 13 June 1976. (Source)
This is a photograph of the smaller ET's who was clearing the SSSC of negative thoughts and impulses. This is in the basement. 13 February 1977. (Source)
Billy on the house premises with the laser pistol borrowed from Menara. Photo by Menara during the 78th Contact 9 (see Contact Report 78) on 6 July 1977. (Photo from Guido Moosbrugger's book "And still they fly!")
Billy on the house premises with the laser pistol borrowed from Menara during the 78th Contact 9 (see Contact Report 78). Photo by Menara on 6 July 1977.
This is Alena (a Lyrian) with Menara's laser pistol during the 78th Contact 9 (see Contact Report 78) on 6 July 1977. (Photo from Guido Moosbrugger's book "And still they fly!")
Another picture of Alena with Menara's laser pistol during the 78th Contact 9 (see Contact Report 78) on 6 July 1977.
The full photograph showing Alena with Menara's laser pistol during the 78th Contact 9 (see Contact Report 78) on 6 July 1977.
Alena with Menara's laser pistol, photographed by Billy during the 78th Contact 9 (see Contact Report 78) on 6 July 1977.
Alena with Menara's laser pistol, photographed by Billy during the 78th Contact 9 (see Contact Report 78) on 6 July 1977.
Alena with Menara's laser pistol, photographed by Billy during the 78th Contact 9 (see Contact Report 78) on 6 July 1977.
Alena with Menara's laser pistol, photographed by Billy during the 78th Contact 9 (see Contact Report 78) on 6 July 1977.
Demonstration of spoon bending through the use of spirit power (technically Materialkinesis) by Billy on 31 December 1977.
Demonstration of coin bending through the use of spirit power (technically Materialkinesis) by Billy on 31 December 1977.
Demonstration of coin bending through the use of spirit power (technically Materialkinesis) by Billy on 31 December 1977.
Quetzal's ship in front of the FIGU center on 22 October 1980. (From Guido Moosbrugger's book "And still they fly!")
See Contact Report 144 from 26 March 1981.
See Contact Report 144 from 26 March 1981.
See Contact Report 144 from 26 March 1981.
See Contact Report 144 from 26 March 1981.
See Contact Report 144 from 26 March 1981.
See Contact Report 144 from 26 March 1981.
The "wedding-cake" ship sitting on a second ship approx 40 meters from the ground. (See Analysis of the Wedding Cake UFO by Rhal Zahi and the second edition PDF)
(See Analysis of the Wedding Cake UFO by Rhal Zahi and the second edition PDF)
Photo #850, enhanced, shows details of the tree in front of a WCUFO of 7 meters in diameter. (See Analysis of the Wedding Cake UFO by Rhal Zahi and the second edition PDF)
See Contact Report 147 from 28 July 1981.
See Contact Report 147 from 28 July 1981.
See Contact Report 147 from 28 July 1981.
Regarding photo #925: Quetzal let his beamship hover and rotate about 10 meters above the parking lot, while burning static energy which also had a rotating effect (just like the ship). Billy is standing in the fire ring and is holding a microphone above. See Contact Report 148 from 21 September 1981.
The picture above appears in Meier’s Photo Index as Photo # 1059. Click image for more info. Also, see Contact Report 117 .
Photo of Enjana's ship taken by Silvano Lehmann on 6 July 2000 (Click image for explanation). Source
Close-up of Enjana's ship in photo taken by Silvano Lehmann on 6 July 2000. Source
The apple Billy gave to Guido Moosbrugger, which Billy received from Semjase during Contact Report 109. (Video still from the feature-length documentary "The Silent Revolution of Truth")
Billy in 1990, demonstrating the position he was in when he was struck by lightning. This represented another assassination attempt, this time from a group of extraterrestrials. See Contact Report 236 from 26 April 1990. (From Guido Moosbrugger's book "And still they fly!")
Meier during an interview with Jaime Maussan of TELEVISIA, 21 February 1998. (Source)
'Billy' Eduard Albert Meier and Michael Hesemann on an on-site investigation around the year 2000. Source
Billy in 2007. (Video still from the feature-length documentary "The Silent Revolution of Truth")
Billy during the filming of "The Silent Revolution of Truth" in 2007. (Source)
Billy during the filming of "The Silent Revolution of Truth" in 2007. (Source)
Michael Horn, authorized American media representative for the 'Billy' Eduard Albert Meier contacts, gives a seminar in Las Vegas on 29 May 2011. Source
Michael Horn, 29 May 2011. Source
Michael Horn giving a seminar on 29 May 2011. Meier is pictured on the screen behind him, departing for a contact on his motorbike. Source
18 witnesses who can swear in a court of law of what they have seen and experienced. (From Guido Moosbrugger's book "And still they fly!")
Jehova drawn by Semjase on 3 December 1975. (See Contact Report 39)
A sketch of Jmmanuel, wrongly known today as Jesus Christ. Sketch By Semjase during the 41st Contact on 31 December, 1975. (See Contact Report 41)
Asket drawn by Christian Krukowski in 1978.
Semjase drawn by Christian Krukowski in 2000.
Semjase drawn by Christian Krukowski in 2000, colourised in Photoshop by Dejan.
Another portrait of Semjase, created by Dejan.
This is another drawing of Quetzal, one of Meier's Plejaren contacts.
This is a self-portrait drawn by Ptaah on 15 May 2000.
Portrait of Ptaah, colourised by Dejan.
This is Florena, another Plejaren.
This page gives the description of Ptaah and his daughter Semjase. This is a page from the book "And still they fly!"
This is a page from the book "And still they fly!", it shows the different Plejaren alphabets and their sounds. Semjase informed Meier about the Plejaren Alphabet during Contact Report 31 while on his Great Journey.
Correlation between Hebrew and Plejaren alphabets image 1 of 4. See The_Plejaren#Languages
Correlation between Hebrew and Plejaren alphabets image 2 of 4. See The_Plejaren#Languages
Correlation between Hebrew and Plejaren alphabets image 3 of 4. See The_Plejaren#Languages
Correlation between Hebrew and Plejaren alphabets image 4 of 4. See The_Plejaren#Languages
Different types of Beamships used by the Plejaren.
Landing track of Menaras ship, created during a lightning fast flying visit on 23/11/1977 at 09:05 am, during the time Billy's wife was away in neaby town Schmidruti for about 10 minutes taking children to school (ice thickness 12cm).
Billy, in the same position in front of the stone, in which he was struck by lightning. Photo from the 24th of April, 1990: Freddy Kropf. See Contact Report 236 .
The surface hole in the stone, caused by the lightning’s impact. Photo from the 24th of April, 1990: Bernadette Brand. See Contact Report 236 .
Main piece of the tree crown, in which the lightning entered and shattered this. Photo from the 24th of April, 1990: Freddy Kropf. See Contact Report 236 .
Engelbert Wächter holds the 5.5-meter tall crown piece of birch that was knocked down by lightning, which had gotten stuck in the branches of the tree and was taken down three months later. Photo from the 23rd of July, 1990: Freddy Kropf. See Contact Report 236 .
Billy demonstrating Semjase's flight path over Ober-Sadelegg, Switzerland, on site with his accompanying photo series, to Lt. Colonel Wendelle Stevens and Lee Elders, in the documentary "Contact"
Fictitious artist representation of the Bafath or Giza Intelligences under the Giza pyramids, Egypt. Until they were penalized by the Plejaren Federation in 1995, see Contact Report 251.
Ptaahs ship and the largest in the Plejaren Federation fleet which roughly translates into English as The Great Spacer. Fictitious artist representation.
The human spiritual evolution chart, originally explained by Semjase in Contact Report 6.
This is the pyramid of FIGU under which meditations can be accelerated and can instigate geographically localised Reincarnation.
A top view of the mediation pyramid, built from specific instructions by the Plejaren, see ebook Downloads section.
The structure of the Creation according to the Plejaren, from Contact Report 143. Fictitious artist representation.
The double spiral structure of the Creation. The universe including all its dimensions and features is said to have a particular configuration, this is how it's said to look, were an image capture possible which it is not. Fictitious artists representation.
The Plejaren peace symbol and universally recognised peace symbol. Most Planets naturally develop some form of similar cultural interpretation. It's based on the growing and thriving in nature, where the momentum tends to be upwards i.e growth.
This is how a peace symbol on a normal world would look, aligned to the flourishing of nature, growing upward, but for some reason we've associated a downward momentum to the flourishing of nature on Earth.
The rejection symbol. Associated with repulsion. Beamships work in a similar way by repulsing, pushing and pulling matter, for flight control purposes.